IOJCA Fall/Winter 2024

/

2024 Robbins panel. Photo by Michael Dooley

The long-delayed Fall/Winter edition of IJOCA is now out. Among other things, it contains a transcript of last year’s Trina Robbins Tribute panel, a transcript of a panel moderated by Kate Kelp-Stebbins about the first report to the UN in comics form on the famine in Gaza, and a beautiful back cover by Willy Mendes.

The Tribute to Trina Robbins were Lee Marrs, Heidi McDonald, Kim Munson, Roberta Gregory, Casey Robbins, Barbara Mendes. This year I will be moderating a panel on Trina’s herstories (Pretty in Ink, Flapper Queens, etc).

Sadly, the Gaza report is even more relevant now. You can download the report here on ohchr.org (Our Children Have Rights).

Also included is a review of Beautiful Monsters: The Art of Emil Ferris by Carli Spina (Fashion Institute of Technology).

Memory: Stuart Davis, de Young Museum (2017)

/

Gallery View - Stuart Davis: in full swing. Photos by Kim Munson

Stuart Davis: In Full Swing was on view at the de Young Museum April 1 – August 6, 2017. From the museum’s website: “Stuart Davis: In Full Swing is the first major exhibition in 20 years dedicated to this key figure in American Modernism. Featuring approximately 75 works — spanning from the artist’s breakthrough series in the 1920s focusing on tobacco packages and household objects to the painting left on his easel at his death, in 1964 — the exhibition highlights Davis’s unique ability to assimilate the visual languages of European Modernism, the imagery of popular culture, the aesthetics of advertising, and the rhythms of jazz into colorful, complex works. Blurring distinctions between “high” and “low” art, between abstraction and figuration, and between text and imagery, these paintings reflect both the excitement and turbulence of the artist’s times.

Davis was a lifelong jazz enthusiast, and his working method of appropriating and reworking his own earlier compositions shares with that musical genre the concept of variations on a theme, and similarly conveys a distinctly modern sense of dynamism and vibrancy. This is the first major exhibition to install works from different periods of the artist’s career alongside one another to explore their persistent thematic and visual interconnections. Davis’s innovative works paved the way for major developments in American postwar art such as Pop, and they remain resonant, relevant, and influential today.”

Personally, I was blown away by this show and left with a whole new appreciation of Davis.

(NSFW) Trina in Playboy

/

Thanks to comics scholar John Cunnally, I have finally solved the mystery of when Trina’s comics appeared in Playboy. In Last Girl Standing and in interviews, she often talked about how proud she was of being accepted because it was one of the most prominent places a cartoonist could be published at the time.

Trina’s “Rosie the riveter'“ in the March 1979 issue of Playboy. Trina also had a CONTINUING (but less sexy) “Rosie” strip in the National Lampoon.

John told me that Trina also had a strip in the March 1980 issue “Rita Rake, Soft-Boiled Detective in A Case of the Clap,” and in the March 1982 issue “Rita Rake in the Maltese Vibrator.” With this lead, I hope to find more!

Fay King, Hearst Cartoonist

/

Fay King Self Portrait 1918, from the collection of trina robbins

Getting my papers ready for a presentation on Trina Robbins at the CAA national convention in NY, I found some items that reminded me of one of my last conversations with her. In our Women in Comics show, Trina loaned some of the jewels of her collection, including a pair of drawings by Fay King (b Seattle, WA 1889 - ?) who started her professional cartooning career at the Denver Post in 1912. In 1913 she entered into a short-lived and tumultuous marriage with a prize-fighter named Oscar Nelson. In 1918, she left the Post for the San Francisco Examiner, where she was considered a top-notch critic and cartoonist. Wikipedia credits King with the creation of two short-lived comic strips: Mazie (in 1924, briefly) and Girls Will Be Girls (1924-25). About the latter, King wrote a lengthy article for the February 1925 issue of Circulation, a syndicate promotional publication. After her run at the Examiner, she completely disappeared until she funded Nelson’s funeral in 1954. There is no record after that, and no obit. Trina wrote about King in all of her herstories, and there is also a detailed account of her life and career by the late comics historian R.C. Harvey, culled from the press of the time.

Fay King. 1918. “Gosh! It’s K.C.B.” Collection of trina robbins.

In one of the King cartoons owned by Trina, she references “K.C.B.” I was always curious about this, because it seemed like such a distinct caricature. Some time in the summer of 2023, I found a 1915 book called Ye Towne Gossip by K.C.B. (Kenneth C. Beaton) of the San Francisco Examiner. I called Trina to share my nerdy excitement and she agreed that this was the guy. Below is the book cover (you can see the resemblance to King’s drawing), the author photo and title page, and the opening pages of the book in his distinctive format.

Recently the comics historian Kamden Spies posted this ad featuring Fay King on Facebook, promoting King’s appearance in the 1924 silent film The Great White Way, which included several popular cartoonists, including Nell Brinkley. In addition to King and Brinkley, several other cartoonists and newspaper people were included Arthur "Bugs" Baer, Arthur Brisbane, Kid Broad, Irvin S. Cobb, Hal Coffman, Billy De Beck, Frank DeVernon, Jerry Hershfield, Winsor McCay, J. W. McGurk, George McManus, Tex Rickard, Damon Runyon, Earl Sande, Ned Wayburn, and H. C. Witwer. There is no existing copy of the film. According to a 1924 film review published in Exhibitor’s Trade Review cited on Wikipedia, the film starred Anita Stewart and Oscar Shaw in a love story between a Follies dancer and a professional boxer. It doesn’t mention how the cartoonists and newspaper people fit into the plot, but strips about sports like boxing were very popular. King, as I mentioned above, had an on & off relationship with the prize-fighter Oscar Nelson herself.

Trina had a still of Brinkely in this film in her collection. I have not identified the other people in the photo.

Nell Brinkley in “The Great White Way,” a photo from the collection of trina robbins.

Feminist-Leaning Fay King strips from the Denver Post. These are undated, but would have been drawn between 1912 - 1918.